One of my favorite sci-fi movies is Sunshine (07). In it, a team of highly skilled scientists is sent on a mission to our dying sun to essentially nuke the core to restart nuclear fusion and keep the star alive. They are aboard the Icarus II, the second attempt by a slowly-freezing Earth to attempt this hail mary, after Icarus I was lost. When the team stumbles upon the Icarus I’s distress signal, they have to make a choice: Detour to potentially save survivors and get double the payload (a second chance if they miss or it fails), or waste more time that Earth doesn’t really have straying from their mission.
They decide to detour, reward worth the risk, and when the ship changes trajectory, part of it becomes exposed to the intense heat of the sun outside the ship’s solar shield, and catches fire, burning up their only way to refresh their oxygen. Now, they have no choice to find Icarus I both for the payload and any chance of making it home, and chaos ensues for the rest of the movie.
The whole inciting incident for this chaos isn’t detecting the Icarus I’s signal, it’s the failure on part of the flight engineer to properly account for shifting their solar shield when they change course. It’s a simple, yet catastrophic human error, and he takes it incredibly hard—if the mission fails and they all asphyxiate before the payload can deliver, he will have killed Earth’s last chance for survival. All because he did some math wrong.
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There’s something brutally tragic about a disaster that comes not from without, but within. Sunshine would have had the exact same stakes if the solar shield had simply malfunctioned and it was fate or the power of god that had killed them. Based on the name for their ship—Icarus—one can assume that human error, human overconfidence, flew them too close to the sun.
Sometimes shit just breaks. Sometimes the tech doesn’t work. Sometimes the bullet misses in a freak gust of wind. It’s a random fender bender on the highway. Not saying these plots are wrong at all, and having a character feeling like fate and the universe are against them is a compelling enough premise on its own.
But some of my favorite tragedies are tragedies because it all could have been avoided if one character made a different choice. One of my favorite TV shows has a climax where everything they’ve been working for, everything they’ve fought for all boils down to successfully inputting a code into a thing for a Sunshine-esque world revival. They’re winning the race, gaining ground, they’re at the console, the villains have lost. Meanwhile, the lone team member back home coordinating everything chooses to ignore a phone call from their allies because he’s busy and thinks they’re far less important. The villains then take these allies captive and hold them hostage—hand over the code or the innocent bystanders die right before their eyes—and the heroes balk, the consequences of which are devastating.
Had this one character stopped, thought, and not dismissed their allies’ call for help, none of this would have happened. Sure the villains could have shown up out of nowhere with them with zero buildup and just said “we caught them offscreen, uh, doesn’t matter how” and the choice would have been as agonizing to watch, but knowing it all happened because one character couldn’t be bothered makes it so much worse.
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Some things to consider about doing this:
Try to avoid deus and diablos ex machinas. The latter tends to receive less backlash, because shit going wrong for no reason is less story-ruining than shit going right for no reason, but you can do better
This is high above a character simply forgetting about a macguffin or forgetting important information or something conveniently breaking or failing to turn on at the last second for no reason other than to be dramatic, this is something that the audience might not see coming before it happens, but understands immediately once the damage is done.
If you’re going to make it a fault of a character, make sure it’s a fault that character already has, a choice they would realistically make, instead of randomly making them an idiot to further the plot
Up to you whether you want the characters to realize the human error in all this. In Sunshine, that was the whole point, in the tv episode, I don’t think they ever connected the dots, but we did as the audience.
Typically, these are tragedies, and the choice that was made is irreversible. The character who makes it either dies regretting everything, or has to live regretting everything, but there is no quick fix. It’s not a quick “oops let me correct that,” it’s devastating.
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